Arts and culture editor Brandon Reynolds was part of a 44-person filmmaking team that produced an eight-minute short film, "Decisive Moment," in only 48 hours. The film won audience favorite, first prize, and a number of other awards in Richmond's competition, and will now compete with the other 59 cities for the international title.
"We held many discussions during our redesign process -- a fresher, more confusing Stranger hits the streets today -- about how we could better serve the public," editor Dan Savage writes. Somewhere along the way the paper came up with the idea of creating a new position: the public intern. "Just as the public editor works on behalf of readers, the public intern interns on behalf of readers. Steven [Blum] is your intern, Seattle, he works for you." His first assignment? Cleaning a Seattle bus. "I expected that the bus driver would kick me off at some point -- in my head my first report was going to end with an angry bus driver marching me down the aisle," Blum writes. "I'd already planned my passive aggressive response: 'People can shit their pants on the bus but I can't 409 the floor?'"
The American Bar Association's Commission on Effective Criminal Sanctions has withdrawn proposed resolutions which sought to limit public access to criminal justice system records, according to a press release issued by the Reporters Committee for Freedom of the Press. "We appreciate that the commission heard our concerns and took a second look at the dire effect these recommendations would have had on transparency in government," Reporters Committee executive director Lucy Dalglish says.
Evening Post Publishing, parent of the daily Post and Courier, has offered cash to at least 50 local retailers and restaurants to replace the various newspaper racks in their establishments with single multi-publication boxes, Charleston City Paper reports. The Evening Post would then turn around and charge the city's free publications for space in the new boxes. City Paper publisher Noel Mermer says the alt-weekly will not be involved in this distribution "partnership." "The City Paper cannot and will not pay the Post and Courier for the relationship that we have built with local businesses over the years," Mermer says. The situation in Charleston is similar to ones increasingly faced by alt-weeklies in other markets, such as Jackson, Miss., where the Jackson Free Press and the publishers of other publications developed the Mississippi Independent Publisher's Alliance and distributed their own consolidated boxes.
"I can't lie to you -- this business is a struggle," CityBeat editor Dave Rolland writes. "Whereas we're dying to get into the neighborhood of 72 to 80 pages each week, we're still slogging along at 48 or 52." Looking back on the reasons behind the paper's Aug. 21, 2002, launch, Rolland writes: "There was no publication that represented the city's politically progressive population, no publication that focused on street-level arts and culture and no publication that told stories with lively, conversational flair. It's in these three areas that I believe CityBeat has done its job particularly well."
When At the Movies With Ebert & Roeper begins its 22nd year in national syndication Aug. 25, Richard Roeper will be joined for at least the first several weeks by the Observer's Robert Wilonsky, the Chicago Sun-Times reports. Wilonsky will take the place of Roger Ebert, who is recovering from surgeries.
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