In the thirteenth installment of this year's "How I Got That Story" series, Nate Blakeslee talks about how he uncovered sexual abuse in Texas' youth prisons for the Texas Observer. The investigation ignited a firestorm that led to the arrests of two employees and the firing of top officials. Blakeslee says the key to his story was a document he was tipped off to and then was able to procure. "Reporters don't often run into documents like this one. In fact, a person can go a whole career without a case like this," he says. "This story was just waiting out there to be found. I can say if you find something like this, get it into print as soon as you can."
In the twelfth installment of this year's "How I Got That Story" series, Jeffrey Anderson talks about his multi-part investigative series "The Town the Law Forgot," which uncovered shocking abuses of power by government officials in Los Angeles County. He tells Sam Stoker how he started on this thread, and how he kept at it until it all started to unravel for him. Anderson, who wrote the series for L.A. Weekly but has since changed coast and is a staffer at Baltimore City Paper, also gives some advice to anyone undertaking an investigation. "The main thing is you just can't plan things out in advance," he says. "Things don't occur logically sometimes. You just need to be ready to revive things you have let go of. You just can't plan it."
Next June, AAN members will descend on the JW Marriott Starr Pass Resort & Spa in Tucson for the association's 32nd Annual Convention, hosted by Tucson Weekly. "This is one of the nicest places AAN has ever used for a convention," says San Francisco Bay Guardian executive editor Tim Redmond, who visited the property along with other AAN board members for a meeting last month. Read here for more about the convention and the lush Starr Pass resort.
In the eleventh installment of this year's "How I Got That Story" series, Seven Days food editor Suzanne Podhaizer talks about her winning columns, which covered oysters, bread-making and the intersection of chain-restaurant casual dining and sustainability. Podhaizer tells Ling Ma about how she approaches describing food, what she'd cook for her last meal, and the telling theme of her wedding vows. "My vows were almost entirely about how meaningful it is to share food with somebody, and meeting someone you want to give the best parts of a meal to," she says.
In the tenth installment of this year's "How I Got That Story" series, former City Pages staff writer Dara Moskowitz Grumdahl talks about her award-winning entries for Food Writing. She tells Angelica Herrera she started writing about food because she "needed the protein," though she's gone on to win numerous awards for her food writing. Moskowitz Grumdahl talks about her process for reviewing a restaurant, what she thinks the impact of a bad review can be, and the perks of being a food critic. "I was renovating my house once and realized I hadn't had a stove for four years," she says. "You don't have to wake up early -- and you get free lunch and dinner, and sometimes even brunch."
The Association of Alternative Newsweeklies has hired Jason Zaragoza to the newly created position of advertising and awards coordinator. His first day with AAN was Oct. 14. Zaragoza takes over for Stephanie Roswell in handling the logisitics of the AAN CAN classified network, and for Heather Kuldell in coordinating the AltWeekly Awards. "Jason is smart and organized, and he has an incredibly professional attitude for someone so young," says AAN executive director Richard Karpel. "We're counting on him to keep AAN CAN and the awards contest running smoothly."
In the ninth installment of this year's "How I Got That Story" series, Jackson Free Press editor Donna Ladd discusses her award-winning feature on the Seale family, which has long ties to the Ku Klux Klan, but has tried to ameliorate its past. She talks to St. John Barned-Smith about how they found the story, how her upbringing in Mississippi informs her work, and how she connects with her sources. "I find the best way is to just have absolute interest in what they're saying," Ladd says. "I have no judgment when I'm sitting in front of someone. I am a sponge.
In the eighth installment of this year's "How I Got That Story" series, the Dallas Observer's Megan Feldman talks to St. John Barned-Smith about her award-winning feature on Central American migrants who make often-deadly 1,500-mile trips on freight trains to make it to the Mexican-American border. Feldman went to Mexico to immerse herself in the experience of these immigrants, and also was able to tell the story through one person who had made the journey and ended up in the Dallas area. She says the most challenging aspect of reporting the story was finding that source: "In Dallas, there's a particularly harsh backlash against immigrants, and on the other side of that, there's a very high level of fear among the immigrants, so it took a long time to find someone who'd be willing to tell their story."
In the seventh installment of this year's "How I Got That Story" series, Santa Fe Reporter columnist Zane Fischer discusses his award-winning column, Zane's World, with Elena Brown. Fischer, who came to the alt-weekly world from the nonprofit sector, talks about the steep learning curve he faced starting out as a SFR columnist, how he comes up with ideas, and what he wishes more columnists would do. "Invoke a dialogue," he says. "One component of a column should be the continuous dialogue with the readers. It's all part of the process of building community."
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