That's the rhetorical question PopMatters asks in an article lamenting the "sad trajectory" of arts coverage at the paper since it was taken over by New Times. In a somewhat less-than-thorough investigation, the Web site turns to two former Voice music critics for answers. Robert Christgau says Michael Lacey is "a philistine who hates New York City” but admits that Village Voice Media's executive editor cares about writing; it's just not the kind of writing that Christgau does. Meanwhile, Eric Weisbard claims the new owners hate "what the Voice stood for," i.e., "the idea that you should write about pop music with the same depth and the same number of cultural references that you would talk about a novelist in the New York Review of Books."
Village Voice columnist and VH1 commentator Michael Musto plays the viola, still goes home to Bensonhurst for the holidays, and does a mean Diana Ross, reports the Times in a 'Night Out' profile of what the paper calls "the city’s most punny, raunchy and self-referential gossip columnist." Oh, and they also mention his new book, "La Dolce Musto," a compilation of two decades worth of the columnist's favorite "blind items, outings, hissy fits and scandals concerning everyone from Madonna to Anita Ekberg."
In an interview promoting his new book, a collection from his long-running Voice column, Michael Musto says that in his "billions of years" at the paper, he has been censored only once, for a JonBenet joke that even he agrees was way off-base. "Otherwise, I've been given free reign to overdo, overemote, overstate and be overjoyed," the popular gossip columnist tells the New York Blade. "I’m extremely spoiled to have been coddled, nurtured, liberated and allowed to carry on like a free range chicken."
Richard Diefenbach read Gustavo Arellano's syndicated column for the first time in the Weekly Alibi, while on vacation in Albuquerque. He was so enthused with the column -- which that week addressed readers' questions about "the Mexican love affair with chicken and similarities between Mexicans and the Irish," according to Arellano -- that when he returned to work in his hometown of Newport, Ore., he printed a copy and gave it to a Mexican-American co-worker. The following day Diefenbach was suspended from work for five days without pay, accused of racial discrimination and sexual harassment.
The Morning Edition is the latest to weigh in on the battle for music-poll supremacy between The Village Voice's 32-year-old "world series for smarty-pants people," and Gawker Media's upstart Jackin' Pop, which was released Friday. NPR reports that several prominent critics, including former Voice contributor Ann Powers and The New Yorker's Sasha Frere-Jones, won't be voting in this year's Pazz and Jop, which will be released early next month.
The popular cartoonist, aka Dan Perkins, is asking his fans to sign a petition in support of returning his widely syndicated strip, "This Modern World," to the print edition of the Manhattan alt-weekly. Although the cartoon still appears online at villagevoice.com, Perkins reports via his blog that it was dropped from the paper "sometime in the last two or three months."
The days when every newspaper ran exclusive film criticism are over, reports Variety, with online film sites picking up the slack created by the rise of national chains and syndicated critics. The film industry's paper of record highlights the merger of New Times and Village Voice Media, which resulted in fewer independent film voices on the alternative weekly landscape. "New Times certainly did not start this fire," says Scott Foundas, movie editor at L.A. Weekly. "In the L.A. Times on a given Friday, half the reviews are reprinted from Newsday and the Chicago Tribune."
Veteran photographer and frequent Voice contributor Fred McDarrah is currently displaying highlights from his life's work at the Steven Kasher Gallery, reports the Villager. The exhibit features 120 of McDarrah's iconic prints from the 1950s, 60s, and 70s, including portraits of downtown legends such as Allen Ginsberg (pictured), Andy Warhol, and Susan Sontag. "I remember every photograph, every single picture, I took in my entire life," says McDarrah, whose first job at the Voice was selling ads.
Jeff Koyen accuses the Village Voice's new editor of failing to reinvent the alt-weekly format in his first three months on the job. "I'm ashamed to admit that I was optimistic when Blum was hired to run the Village Voice," Koyen writes in the British daily Guardian. "Unfortunately, Blum is playing by the book." Koyen, who approves of the "cleaned house" that followed the Voice's acquisition by the New Times chain, formerly competed with the Manhattan alt-weekly when he worked for a number years at the New York Press, where he was editor from 2003 to 2005.
The Phoenix staff writer is leaving Beantown to become yet another fresh face at the Village Voice, reports the Boston Herald. "Anyone who knows Camille realizes that going to NYC has been a long-time goal. Her exit reminds us of what it means to be bittersweet: glad for her, sad for us," writes Peter Kadzis in an internal Phoenix email, republished by the Herald. Dodero is the second employee to jump from the Boston alt-weekly to Village Voice Media. Former managing editor Bill Jensen recently departed to oversee Web operations for VVM.
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