Laura Marrich, who started at the Weekly Alibi as an intern in 2003, takes over the editor-in-chief role today, filling the shoes of Christie Chisholm, who is leaving the paper to pursue work as an independent journalist. Marrich will continue to edit the food section, while Jessica Cassyle Carr will take over the music section from her. Marisa Demarco, who is already the paper's news editor, will also take the title of managing editor. "Laura is a born leader with seemingly boundless reservoirs of energy, humor and creativity that energize everyone around her," Alibi publisher Carl Petersen says in a statement. "She will no doubt shine all the brighter as editor."
The compromise bill would allow federal judges to quash government subpoenas against reporters if they determine that the public interest in the news outweighs the government's need to uncover the source of that news, including some disclosures of classified national security information. The bill would also extend shield protection to unpaid bloggers engaged in newsgathering. "We've come a long way in these negotiations and have now reached a compromise that strikes the right balance between national security concerns and the public's right to know," Sen. Charles Schumer said in a statement. The Times notes that the compromise could still falter if press groups object to the concessions made to prosecutors. "This is a huge deal, but it's not a done deal," Reporters Committee for the Freedom of the Press executive director Lucy Dalglish says. "And quite honestly, until all of the media coalition members sign off on it, it's not a deal."
Washington City Paper editor Erik Wemple discussed "One Mission, Two Newsrooms," his piece of the divide between the digital and print staffs at the Washington Post, with Tucson Weekly editor Jimmy Boegle.
As we announced on Monday, AAN's longtime executive director, Richard Karpel, is stepping down to take the same position at the American Society of News Editors. AAN has placed ads to find his successor on four websites and has received more than 20 applications thus far. The Executive Committee of the Board of Directors will do an initial screening of the candidates later this month; after this is complete, President Mark Zusman will appoint a separate committee that will likely meet and interview the finalists and make a recommendation to the Board of Directors.
The Weekly's longtime art director and production manager Kevin Dougherty died at home on Oct. 21 of an apparent heart attack, the paper reports. He was 49 years old. Dougherty, who began working at the Weekly in 1994, became production manager in 1998 and also took over the art director position in 1999. In addition, he served on the executive committee that ran the paper. "Kevin was an amazing boss and coworker, a wonderful friend and an inspirational human being," says Weekly staffer Sarah Decker. "He knew how to make us laugh, and he sure knows how to make us weep. I will miss him every day of my life."
Central Ohio Crime Stoppers recently named the Columbus alt-weekly its "Media of the Year," largely due to a partnership the paper has formed with the group. The Other Paper now runs Crime Stoppers' "Most Wanted" list, and the two have teamed up on a monthly murder-mystery story series, "To Catch a Killer."
"The best newspapers maintain a wall between publishers and editors, and nothing crosses it but the budget. The Reader is no exception," Michael Miner writes. But he notes that's about to change with the hiring of James Warren -- an editorial veteran -- as the paper's new publisher. Warren, who says he hopes to "be pretty involved" on the editorial side, adds that he thinks his appointment "is an implicit affirmation of the link between quality journalism and a successful business," and Creative Loafing Inc. bosses are saying the move shows the Reader's commitment to editorial excellence. But as the paper's editor points out, it is important the business and editorial sides stay in their own corners. "It's good to hear the board and Warren acknowledging how important journalism is to the success of the company," Alison True says. "Because we're looking forward to getting the resources to support it. But if that wall disappears, so does our credibility."
A routine veto message from California Governor Arnold Schwarzenegger may have had a hidden meaning for the bill's sponsor, according to the San Francisco Bay Guardian, which reports that if you add up the first letter of each line of the message, you get "Fuck You." The bill in question, which would have expanded the financing powers of the Port of San Francisco, was sponsored by state Assemblyman Tom Ammiano, who earlier this month shouted "You lie!" at the governor and told him to "Kiss my gay ass" at a fundraiser. While a Schwarzenegger spokesman maintains that the message is simply "a strange coincidence," the Guardian's findings have the political world buzzing. READ MORE coverage of the incident from ABC News, the New York Times, NPR, and the Wall Street Journal.
The Weekly has been printed at Idaho's Snake River Printing for the past seven years, but that will change next week. The paper will now be printed in another state -- at Utah's Print Works (which also prints the Salt Lake City Weekly). "This has been a difficult decision because of our desire to keep our business local," publisher Sally Freeman says. "But circumstances beyond our control have forced us to make this difficult decision." Editor Rachael Daigle says that there just weren't many local printers that could handle the paper's print run of 30,000 each week; as an added bonus, she notes, the printer switch will allow for more color in the Weekly.
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