"These free periodicals are causing me to fill more time with reading (which has no cost) and less time with watching television or playing a computer game (which costs electricity, cable, internet, etc.)," writes the penny-pinching proprietor of the Are You Rich? blog. (S)he totals the amount of money saved per year by doing so at $5. "It doesn't seem like much, but consider another factor: the local alternative newspaper often has passionate writers and detailed community event listings. I've discovered several free events that I've attended that, without the alternative papers, I would have never been aware of them." That point was echoed in this weekend's New York Times, which had a piece looking at ways that New Yorkers are scaling back spending as they prepare for an economic downturn. One 29-year-old teacher "has reduced her spending ... [by] only buying paper goods on sale, tempering her hair product demands and scouring the Village Voice for local artists playing free concerts."
Lawyers and economists from the U.S. Justice Department are investigating if the Cleveland Free Times can "be a viable business in the current media climate" in the city, according to the Plain Dealer. The Free Times was closed in 2002 when its owner, Village Voice Media, agreed to shutter it, giving Cleveland's other alt-weekly, the New Times-owned Scene, a monopoly. (The two parent companies merged in 2005.) The Justice Dept. investigated that deal and forced the sale of Free Times to a group of investors. Former Free Times editor David Eden tells the Plain Dealer he was recently questioned by lawyers from Justice about whether or not he thought the paper could be turned around. He says he told them that Cleveland needs the paper's independent voice and he hopes it is sold to a local group rather than being bought out by the competition and closed. "It feels like deja vu all over again," he says.
Los Angeles Times art critic Christopher Knight writes that the only thing missing from the third L.A. Weekly Annual Biennial, "Some Paintings," is "an exclamation mark at the title's end. A whopping 81 paintings by 80 artists, most made recently; here is a show that wants to make a point. And it does, with wit, verve and considerable taste." The show, curated by Weekly art critic Doug Harvey, opened Jan. 19. "Harvey favors an art that expresses a wild and raucous spirit of life," artnet Magazine says. "'Some Paintings' is a perfect antidote to the minimal cool of much successful art, which can often leave one feeling empty."
Last week, the New York Press got rid of its newly minted sex columnist after it was revealed that Claudia Lonow took the questions for her first column from old "Savage Love" columns. But Savage tells the Seattle Post-Intelligencer that he feels bad for Lonow, and that he thinks the "borrowing was an accident." In an interview with KING5-TV, the syndicated columnist and editor of The Stranger says that if Lonow would have just sourced the questions properly, there would've been no problem. "She just thought they were good hypotheticals and thought she could use them with impunity, and that's kinda not the way the media business works anymore," he says. Meanwhile, the Press is holding an open competition to become the paper's new sex columnist. Each week, the paper's editors will select one piece for publication, and those winners will become finalists in the quest. The new column will launch in the paper's 20th anniversary issue on April 23.
The paper and its crosstown rival the Seattle Weekly are giving competing explanations for the review's disappearance. The restaurant's co-owner tells the Weekly that The Stranger agreed to give him "a deal" on advertising and take the story off the website after he complained about the review when it ran in the Jan. 3 print edition. But Stranger publisher Tim Keck says the review wasn't fair, and a note on the Stranger's website says the review was taken down because the restaurant was visited within the first three months of its opening, which is against the paper's editorial policy. Keck tells the Weekly that the restaurant was given free ads, but it wasn't part of a deal to quiet the owner, but rather due to "production errors" in earlier ads the restaurant had run.
That seems to be the opinion of Ed Avis, who looks at the challenges alt-weekly owners are facing in a piece for Quill, a magazine published by the Society for Professional Journalists. Not surprisingly, he says the biggest challenge to the business is the internet. He talks to the Austin Chronicle's Louis Black, Creative Loafing's Ben Eason, and Times Shamrock's Don Farley to see where they are at in relation to the internet, and, more importantly, where they're trying to go. Ultimately, Avis thinks that the challenge of the online market -- in concert with the aging of the original alt-weekly founders -- is what's behind the industry's increased consolidation. Northwestern University professor and Academy for Alternative Journalism director Charles Whitaker agrees. "I think the (older owners) have had difficulty adjusting and figuring out the new media landscape, particularly the internet and things like Craigslist," he says. "At the same time, a group of new owners said, 'We can do this as a chain. We still have our alternative press sensibilities, but by pooling our resources we can run these papers more efficiently than they had been run in the past.'"
The Court of Appeals has ruled against the Indy's appeal of contempt charges stemming from photographer Paul Wellman's refusal to turn over about 300 photographs taken in the aftermath of the murder, the paper reports.
Boom Jackson will be an annual glossy celebrating "urban living, working and creating in Jackson," Todd Stauffer writes in his publisher's note this week. The magazine will be a joint partnership between the JFP and Downtown Jackson Partners, the Hinds County Economic Development District, the Jackson Convention and Visitors Bureau, and others.
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