On Wednesday, the New York Police Department released documents relating to what the New York Times calls the department's "extensive and secretive surveillance" leading up to 2004's Republican National Convention. Among the documents was a Nov. 13, 2003 dossier (PDF file) that said "activists are talking, some with barely hidden glee, about the possibility of violence" on the syndicated cartoonist's site. Saying it is a "compliment I don't deserve," Rall takes issue with the NYPD's short bio that calls him "a nationally known activist figure." He writes: "I'm no activist ... many of my friends are activists, and I admire them for it. Next to them, I'm a mere lump on a log who opines on current events from behind my computer and drafting table."
On Trade Secrets, a resource blog for illustrators, Benjamen Purvis talks about his production process, what he looks for in illustrators and how he finds and chooses them. "I know they can be expensive to produce and distribute, but really, the illustrator's work is more likely going to jump out at me when I look at their post card on my wall than it would in an all-text email with a hyperlink," he says.
When CVS took over Osco Drug in Milwaukee, the Shepherd Express was told to remove its news racks from the stores. Since then, free-lance journalist Jeff White has been standing vigil in protest outside one of the stores for about 20 hours a week. Last week, White and a man he was chatting with were arrested after a CVS manager called the cops to complain. Shepherd publisher Louis Fortis says he's called the company's headquarters to determine why they stopped carrying the paper, but hasn't received a response. But he says he's heard that a customer complained about the paper's criticism of President Bush and the Iraq War. "CVS has every right to not carry the Shepherd, but I don't believe that the top management at CVS would want to politicize their retail stores," Fortis says. "It would be a shame if CVS became a pharmacy that only catered to conservative Republicans."
That's his take after picking up a copy this week, though he says he has "hurt feelings" about City Pages "running the Twin Cities Reader [a now-defunct AAN paper he used to edit] out of business." Carr, who also served as editor of Washington City Paper and is now a reporter for the New York Times, tells the Minnesota Monitor: "I share newspaper approaches with [Village Voice Media]. I've always been equal opportunity in terms of choosing opponents and choosing targets." He adds that VVM papers "in general are far superior to most weeklies, and they fund great journalism, pay a living wage, pay healthcare."
The New York Film Festival has added the LA Weekly's Scott Foundas and the Village Voice's J. Hoberman to the roster of critics choosing the 2007 festival slate. They join the Film Society Of Lincoln Center's Richard Pena and Kent Jones and Entertainment Weekly critic Lisa Schwarzbaum on the committee.
In response to last week's Voice cover story, which raised questions about whether the presidential candidate's four New York Yankees World Series rings were obtained in a legal and ethical manner, Giuliani told an Alabama crowd that Wayne Barrett "sticks pins in a doll of me every night" and "almost never gets his facts right." The story quoted appraisers who approximated the rings' value at $200,000, while Giuliani only paid $16,000 for them. More importantly, the article called into question the timing of the deals, alleging that he received them while still mayor -- a violation of law that could still be prosecuted. The Voice's allegations, which Giuliani says are "totally untrue," have sparked a new round of criticism of his administration, especially given his last-minute approval of a $400 million new stadium for the Yankees.
The Drinky Crow Show, based on Tony Millionaire's "Maakies" comic strip, hit The Cartoon Network's Adult Swim Sunday night. He tells the New York Times that after he started to draw the characters in exchange for beer at a Brooklyn bar, the New York Press eventually picked up the strip for $25 a week. "Maakies," which now runs in other alt-weeklies, remains the driving force behind Millionaire's creative output, even as he branches out into TV and books. "Without it I'd still be a bum, I'd still be drawing houses," he says. "I needed a deadline. That's the code of the cartoonist: make the deadline." He also explains to Baltimore City Paper why the TV show doesn't share the strip's name: "Maakies" works better visually than aurally. "But 'Drinky Crow' is a word that's very catchy, everybody loves to say 'Drinky Crow.' Little kids love to say 'Drinky Crow.'"
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