In a staff message sent Friday, Alison True admits there "are reasons to be distressed by a change this big," but claims there are also "reasons to be optimistic" about the sale to Creative Loafing, including the new owners' pledge to maintain editorial independence and enhance the paper's business operations. MORE FROM CHICAGO: In an anonymous post on a Reader blog, a recently hired salesperson remembers why s/he took a large pay cut to take a job at the paper: "I did it because I love the Reader, and I have loved it since I was 15 years old sneaking away from the burbs and into the city searching for the comforting yellow newspaper dispenser. ... I wanted to be around people that keenly observed the world and cared about the people living in it, the people other than themselves with stories to tell. And I found that. Here at the Chicago Reader."
The Project for Excellence in Journalism recently posted comments about the future of alternative newspapers submitted by Richard Karpel, executive director of AAN; Matt Gibson, publisher of The Missoula Independent; Julia Goldberg, editor of the Santa Fe Reporter; and Alison True, editor of the Chicago Reader. The discussion is one of nine that were conducted via e-mail to supplement PEJ's report, The State of the News Media 2006, which was issued earlier this year. The four panelists share their thoughts on the New Times/Village Voice Media merger, the aging of the alt-weekly audience and the long-term outlook for mainstream-media organizations.
Grant Daniel Pick, 57, died Feb. 1 of a heart attack. Editor Alison True tells the Chicago Tribune: "There was a generosity of spirit that was typical of him no matter what he was writing about." Pick "produced stories on topics ranging from religion to transgender individuals," and won a Peter Lisagor Award for exemplary journalism from the Chicago Headline Club, the Tribune reports. A story he wrote about Uday Hussein's hypnotist is set to run in Friday's edition of the Reader.
Predictability took a tumble at the Chicago Reader Sept. 17 when the paper adopted a fresh new design. Freelance writer Nora Ankrum tells the story behind the 33-year-old paper's transformation, accomplished through a collaboration between the paper's staff and Spanish design firm Jardí + Utensil. While some readers may miss the old Reader, advertisers say they like the way the new look captures readers' eyes.
Chicago Tribune media critic Steve Johnson weighs in on the Chicago Reader's recent redesign, writing, "Suddenly a publication that looked a little murky and, perhaps, vulnerable, has a new air of vibrancy." Next year, Time Out New York is scheduled to launch its Chicago edition, which will compete directly with the Reader by publishing comprehensive entertainment listings. Reader editor Alison True tells Johnson, however, that the redesign wasn't prompted by Time Out's imminent arrival. "A paper that takes 12 years to redesign doesn't make impulse decisions," she says. (Free registration required.)
The Chicago Reader will hit stands on Thursday, Sept. 16, with a colorful front page and new layout, marking its first redesign in 12 years, reports the Chicago Sun-Times. Rather than feature the text of the lead story, the new front page will read vertically and be highlighted by color photos and art above the fold. An advertisement will be below the fold. The paper's inner sections will also get front-page makeovers to prominently feature week-at-a-glance calendars and critics' picks. Editor Alison True tells reporter Eric Herman that the goal of the redesign was to put "a lot more information on the covers."
