Greg Mitchell's Thursday column on EditorandPublisher.com describes Louis Black's role in financing and producing Be Here to Love Me, a new documentary about the late singer/songwriter Townes Van Zandt. Black was personally acquainted with Van Zandt, and describes him as "usually pretty fucked up but very friendly." The Chronicle also printed a cover story about the film; Black says that "if the staff felt it was a conflict of interest, believe me, I would have heard about it." Be Here to Love Me has been well-reviewed for its warts-and-all portrayal of Van Zandt. Black is now working on a book about the films of Jonathan Demme.
This year the Austin Chronicle gift guide features an item close to our hearts: Best AltWeekly Writing and Design 2005. Reviewer Nora Ankrum writes, "This is the gift for the writer or journalist on your shopping list, to be kept on the reference shelf next to the OED and the Chicago Manual and the most recent Best American Magazine Writing, but you won't find it at a bookstore, so order it online, soon." And no, the Austin Chronicle does not have a winning entry included in the book, although it has received AltWeekly Award recognition in earlier years.
Utne magazine has announced the nominees for its 2004 Independent Press Awards, and Association of Alternative Newsweeklies member papers dominate the "Local/Regional Coverage" category. Austin Chronicle, Chicago Reader, The Stranger, The Texas Observer and Westword all received nominations, as did Los Angeles CityBeat, an upstart alt-weekly that's only been publishing for 16 months. Nominees were chosen from among 2,000 alternative media sources. According to the Utne Web site, selection depended partly upon which publications were "most apt to go missing from the Utne library."
Is there really a personals manager at Austin Chronicle named Daniel Hardick, or is it just a clever nom de plume? Well, we met him at an AAN convention, so we know he exists. But we must confess that until now we were unaware of his "hardscrabble beginnings" and "humbling plummet."
"If the vote was 5 to 1 against Nick, the discussion would pause for a respectful second and then proceed as though no vote was taken until we all came around to Nick's point of view or reached a new compromise." That's how decisions were made in the early days of the Austin Chronicle, according to Editor Louis Black, who says Founder and Publisher Nick Barbaro was almost always right, and more importantly, "had a vision of how this paper should relate to the community and how a business should conduct itself." Twenty years later things still "happen when they happen, get done when they get done, and every Thursday morning" newcomers are "both pleased and astonished to find the piles of issues stacked in the hallway."
