Central Ohio Crime Stoppers recently named the Columbus alt-weekly its "Media of the Year," largely due to a partnership the paper has formed with the group. The Other Paper now runs Crime Stoppers' "Most Wanted" list, and the two have teamed up on a monthly murder-mystery story series, "To Catch a Killer."
Odie Terry was among the winners named at Monday's awards dinner for the Acadiana Chapter of the Louisiana Restaurant Association, taking home the 2008 Associate Member of the Year award.
The Ohio Society of Professional Journalists Awards have announced the winners of its 2009 awards contest. The Cleveland Scene won seven total awards, finishing first for Arts Profile, Media Criticsm, Newsmaker Profile, Public Service Journalism and Rock and Roll Feature Reporting. The Cleveland Free Times, which was merged with the Scene in July 2008, took home two awards, including a first-place win for Consumer Reporting, and The Other Paper of Columbus won five awards.
Sophie Blackall uses "Missed Connections" ads from Craigslist and the Village Voice as source material for her "playful prints using Chinese ink and watercolor," the New York Times reports. "I lost about two hours of my life reading them and thought this is just an extraordinary mine of material, ranging from the lyrical, poetic to unintentionally hilarious," she says of the ads. "Many of them threw out ideas for images to me right away." Blackall, who compiled the work on a blog earlier this year and has opened an Etsy shop, says she's also negotiating a book deal for the illustrations.
A judge has dismissed former Stanford Group Company vice president Tiffany Angelle's defamation claim against the Lafayette, La., paper. Angelle had sued the Independent over a story that reported she had given a reluctant investor a Rolex watch and a lavish trip to keep his money in Stanford, which was shut down earlier this year by the Securities and Exchange Commission for allegedly perpetrating an $8 billion investment scam. In making his ruling, the judge noted that Independent editorial director Leslie Turk, who was also named in the suit, "reasonably relied on a confidential informant whom she believed to be telling the truth and confirmed the accuracy of the source's statement by making a second call to [the confidential source]."
Last week, we told you about the collection of Village Voice covers posted in Facebook galleries by Robert Newman Design. Over the weekend, he added some even older covers from the 70s and 80s, featuring the work of design luminaries like Milton Glaser, George Delmerico and Michael Grossman. The New York Times' David Carr says "it's a walk down memory lane for people who otherwise might have some trouble remembering those good old days."
In a three-part Facebook photo album series, Robert Newman Design has posted a whole bunch of Voice covers and inside design pieces dating back to when Newman himself was at the paper in the early 90s. In addition to Newman, the photosets also feature design work from Florian Bachleda, Jennifer Gilman, Ted Keller and IvyLise Simones, as well as illustration work from a number of artists. Check them out here, here and here.
The Voice's recent feature from A History of Violence screenwriter Josh Olson titled "I Will Not Read Your Fucking Script" was apparently popular enough to land on the Google News front page late yesterday -- a development that a few folks decided was worth complaining about.
AAN News has just received a copy of Da Capo's Best Food Writing 2009, and it is chock full of alt-weekly talent. Included in the collection are stories from City Pages' Rachel Hutton ("Spam: It's Not Just for Inboxes Anymore"), New Times Broward-Palm Beach's John Linn ("Highway to Hog Heaven"), SF Weekly's Peter Jamison ("Out of the Wild"), The Stranger's Bethany Jean Clement ("The Beauty of the Beast"), Washington City Paper's Tim Carman ("How Not to Hire a Chef"), and Westword's Jason Sheehan ("The Last of the Great $10 Steaks"). The book also includes a selection from Houston Press food writer Robb Walsh's book on oysters, and is slated to be released this fall.
Tom Tomorrow's "This Modern World" returns to the Village Voice this week after a seven month absence. Tomorrow's comic was cut from all Village Voice Media papers -- along with all syndicated comics -- back in January. The strip is only returning to the Voice for now, but that may change in the coming months. "Altweekly cartooning overall has kind of been on the ropes for the past year or two, and any editor who takes a stand in support of the art form deserves profound thanks," Tom Tomorrow writes on his blog. "This is a first step, but it's a huge one in the right direction -- for me personally, of course, but with any luck, for other cartoonists as well."
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