Smith, who wrote about dance for the Boston Phoenix, the Village Voice, and many other publications, has died, the Voice reports. A memorial will be held at a date to be determined in May.
Miami New Times' Isaiah Thompson was awarded a IRE certificate in the local circulation weeklies category for his stories on how residency restrictions forced sex offenders to live under a Miami bridge. In the same category, the AAN-commissioned "Who Killed Brad Will?" was a finalist, along with Peter Byrne's series on Sen. Dianne Feinstein in the North Bay Bohemian and Wayne Barrett's reporting on Rudy Giuliani in the Village Voice. The Texas Observer's reporting on sexual abuse at a state-run youth prison and the cover-up that followed it was also a finalist, in the Magazine/specialty publication category. The Chauncey Bailey Project, which the San Francisco Bay Guardian took part in, was awarded this year's Tom Renner Award, which honors "outstanding reporting covering organized crime or other criminal acts."
"It's actually rather easy to go unrecognized as a critic," says Robert Sietsema, who's been eating and writing for the Voice for 15 years. "Most critics want to be recognized since they love having restaurateurs kiss their ass and bring them free food. The Voice pays for what I eat, so I don't need any free food." The critic talks to Gothamist in advance of the Voice's first-ever Choice Eats tasting event tonight in New York, which features some of Sietsema's favorites. They also ask him about the response to his recent much-talked-about story on "how bogus" the popular TV show Iron Chef is. Sietsema says "the funniest responses came from crybaby Iron Chef judges ... it was like poking a hornet's nest, and I'd do it again in a second."
To celebrate his 30th anniversary at the Village Voice, the Brooklyn Academy of Music asked J. Hoberman to select films that have sparked some of his most stimulating reviews and articles, as well as a few personal favorites, in a series that begins next week. "30 Years of J. Hoberman" opens Monday with David Lynch's Eraserhead and runs through April 3. In an interview with Gothamist, Hoberman talks about the state of the film world, and reflects on his roots in the 1970s avant-garde film scene. When asked if he'd ever want to step behind the camera again, Hoberman says he's not sure. "I still have some ideas for things I was never able to realize twenty odd years ago but I don't know that I have the necessary desire," he says. "It's tough to make avant-garde films. You have to really will this stuff into the world."
Last month, New York magazine ran a photo series of Lindsay Lohan recreating Marilyn Monroe's legendary series known as "The Last Sitting," which were taken six weeks before Monroe's death in 1962. Now Village Voice columnist Michael Musto is getting in on the act with a cover story and photo spread of his own. "Anxious to share my desperate man-tits with an audience beyond Chelsea, I gleefully agreed to star in an homage to an homage: Musto as Lohan as Marilyn," he writes. The New York Post notes that Musto "is both hairer and more modest than Lohan" and reports that the Voice columnist's pre-shoot regimen was only slightly different than Lohan's. "Lindsay did 250 crunches the night before her shooting," Musto says. "Well, I did 250 Nestle's Crunches."
The Village Voice columnist talks with Seema Kalia for her regular Huffington Post column, "My Favorite Mistake." For the most part, Musto says he doesn't have huge career regrets. "I'm very comfortable being the 'alternative weekly guy in the corner' who's attained a nice level of success, but is never going to blow up into the big time," he says. He does go into detail about how he lost a spot in a Amaretto di Saronno ad campaign back in 1987, for submitting a press clipping of himself dressed in a hoop dress. "It wasn't cool to be gay then," Musto says. "Sometimes it still isn't."
Carlton Carl is the new CEO and executive publisher of the Observer. He most recently was vice president of media affairs and policy and strategy for the American Association for Justice. The Observer is also bringing back Brad Tyer, who has been named its new managing editor. Tyer, who did a stint as the Observer's interim editor a few years ago and has worked at the Houston Press and Willamette Week, was most recently editor of the Missoula Independent.
The paper's editor and publisher, James Shannon, announced the closure on Friday. Shannon predicted that alternative voices like his will increasingly gravitate to the web "as opposed to the more costly print product that requires a level of support hard to obtain without excessive pandering in a free publication funded solely by advertising dollars." With a lineage that began in 1991 and evolved from predecessors Creative Loafing-Greenville and MetroBeat, the latest version of The Beat lasted 31 months. "(We) only wish we could have done it better and for a longer period of time," said Shannon. "But hell, at least we tried."
"These free periodicals are causing me to fill more time with reading (which has no cost) and less time with watching television or playing a computer game (which costs electricity, cable, internet, etc.)," writes the penny-pinching proprietor of the Are You Rich? blog. (S)he totals the amount of money saved per year by doing so at $5. "It doesn't seem like much, but consider another factor: the local alternative newspaper often has passionate writers and detailed community event listings. I've discovered several free events that I've attended that, without the alternative papers, I would have never been aware of them." That point was echoed in this weekend's New York Times, which had a piece looking at ways that New Yorkers are scaling back spending as they prepare for an economic downturn. One 29-year-old teacher "has reduced her spending ... [by] only buying paper goods on sale, tempering her hair product demands and scouring the Village Voice for local artists playing free concerts."
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