City Paper contributor Arthur Delaney has won the Street Sense David Pike Excellence in Journalism award for "Median Man," his story about "Billi," a man living in a tent on the freeway. Delaney will be honored at a ceremony this Thursday.
Jamieson, a former City Paper staff writer, has just won the Livingston Award for his May 2007 investigative account and narrative about serial arsonist, "Letters From an Arsonist." The Livingston Awards are limited to journalists under the age of 35, are the largest all-media, general-reporting prizes in the country, and come with a $10,000 prize. "The story is a testament to what journalism can do and should do more often. In this era of cutbacks and imperatives to blog!blog!blog! Jamieson proved that journalism is still best served by expert reporting and expert writing," writes City Paper's Jason Cherkis. "If you want a textbook case of why this publication should still matter to District residents and its owners down south, this is it." See the full list of Livingston winners here.
The Dallas Observer's Megan Feldman and Jesse Hyde, Phoenix New Times' John Dickerson, and Washington City Paper's Dave Jamieson are among this year's Livingston Award finalists. The contest awards three $10,000 prizes for Local, National, and International Reporting to journalists under the age of 35. The winners will be announced on June 4.
In a Q&A with the Tales from the Reading Room blog, Mark Athitakis discusses the future of arts journalism, the changes afoot in the alt-weekly industry, and argues that print folks must embrace the web to survive. "I think journalists need to rethink what 'publishing' is and experiment more with video, audio, blogging, and social networking tools," he says. "You have to rethink it in part because the next generation of readers embrace all of those things, and it's folly to dig in your heels, stick with print, and say you're not interested in reaching those people, or say that everybody has to process your ideas on your terms."
"If you stop and think about it, it's hard to think of anyone who's broken out of that once-vital corner of the comics world in a dozen years," writes the Comics Reporter. Reacting to the news that Washington City Paper will stop using freelancer Robert Ullman to illustrate the Savage Love column, the Reporter wonders if the alt-weekly market for illustrators, cartoonists, and comic artists has "begun its final decline" as papers have to focus more on bottom-line pressures. "I think that's the way it's trending, definitely, but I'm not ready to pull a sheet over the corpse quite yet," Ullman says. "I don't know, I would think that with all the conglomeration that's going on with alt-weeklies these days, that there'd be more money for things like illustration, not less."
The Times columnist says that given all of the newspaper industry's woes, last week's Chicago Reader and Washington City Paper newsroom layoffs might not seem significant. But Carr, who was editor of the City Paper in the 1990s, thinks the cuts illustrate the larger issue of an industry-wide abandonment of investigative journalism. Creative Loafing CEO Ben Eason says that's not the case. "We are not trying to make any other statement here other than it is a competitive world out there and we are doing what we can to make sure we are putting out an excellent paper in the communities we serve," he tells the Times.
"My mother back in Kansas City likes to tell her friends that I work at the Washington Post, because I think she's embarrassed about alternative newspapers," says Tim Carman, who writes the Young & Hungry column for City Paper. He tells Cork & Knife that working with the award-winning critic Robb Walsh at the Houston Press earlier this decade (when Carman was managing editor) jump-started his desire to "do something with food," but his bum knee prevented him from actually working in a restaurant. He landed the City Paper gig ("I didn't think I had a shot," he says), and now eats in restaurants close to twice a day. "Your dining routine is an endless search for the new and interesting," he says when asked about the toughest part of his job. "Sometimes, I (or my wife, Carrie, god bless her) would just like to relax and unwind in an old familiar place."
The columnist and Creative Loafing shareholder says his company's acquisition of the Chicago Reader and Washington City Paper is neither an "idealistic foray" nor a "hostile takeover of independent papers." The way Sugg sees it, the two papers were caught up in a "broader crisis in the publishing business" that their former owners weren't nimble enough to navigate. He also defends CEO Ben Eason, who hasn't exactly been welcomed with open arms in Chicago and Washington. "He believes alt-weeklies can help readers strengthen their communities," says Suggs. "Eason loves to see controversy in his newspapers. He admits mistakes, takes risks and has an ambitious vision for new media. His lieutenants often disagree with him; he listens ... sometimes."
"We've received so many overtures over the years and they’ve never come to pass," Bob Roth tells Reader media critic Michael Miner. "[But] we got a better offer than I expected." Creative Loafing CEO Ben Eason tells the Washington Post it was an "eight-figure sale" and that he tried to buy the Reader's minority stakes in the Stranger, the Portland Mercury and the Amsterdam Weekly, but that Roth wouldn't sell. Miner tells the Chicago Tribune that the Reader staff is "discombobulated" at the moment. "This has been a very insular paper," Miner says. "We've seen other papers buffeted by change that hasn't affected us until now." Miner also reports that Reader publisher Mike Crystal and editor Alison True will remain with the paper, but production will be moved to Atlanta, according to a report in the Chicago Sun-Times. Production of City Paper will also be moved to Atlanta, where all four of Creative Loafing's papers are currently produced. Back in Washington, editor Erik Wemple says that budget cuts that had already begun will continue, but "there's no fat in our newsroom that I can identify and so this is difficult process. I refuse to pay freelancers less money, and so we'll have to get terribly, terribly creative." MORE COVERAGE: Forbes; Crain's; St. Petersburg Times; Chicago Public Radio.
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