Taking a cue from friends at the Sacramento News & Review, last month the Express launched "Urban Express-ions," a project that hopes to "pre-graffiti" distribution boxes by inviting local artists to adorn them with spray paint. The paper put out a call for artists, held a "painting day" in it's parking lot, and then displayed the results in a prominent Oakland gallery before putting the news boxes back on the street. "Instead of being blighted, we want these to be community art," says publisher Jody Colley, who spoke to AAN News with account manager Mary Younkin about the project. "We have new ownership at the Express and we really want to connect to the artist community more than we have in the past. This is kind of our first project doing that."
BONUS: Check out a video of the painting day below.
The Washington Post media columnist's new book Reality Show: Inside the Last Great Television News War has the Beltway buzzing after being partially leaked on the Drudge Report this weekend. "Kurtz's story was treated as big news -- but the substance, and some of the language as well, was no different from New York Press editor-in-chief David Blum's 2004 book, Tick... Tick... Tick..: The Long Life and Turbulent Times of 60 Minutes," according to Gawker. The big scoop from Kurtz was that Dan Rather threatened to take his Bush/National Guard documents -- which ultimately cost him his anchor chair at CBS -- to the New York Times, which was included in the 2005 paperback edition of Blum's book. Kurtz says he never saw that edition of the book. "Good for him for getting there first," he tells Gawker. "I'm a fanatic about giving credit, which is why my book is filled with footnotes, but you can't do that if you've never seen the information." That's all fine and good, but it leaves the New York Observer to wonder: Will Kurtz "continue to tout the anecdote as a 'scoop' in his upcoming appearances supporting the book?"
"The Adventures of Strangie," an anonymous weekly strip distributed online and in at least one Seattle neighborhood, is hell-bent on getting the Stranger -- and other Seattle publications -- to drop advertising from tobacco companies, the Seattle Times reports. The strip's main character is -- you guessed it -- Strangie, a tabloid-sized newspaper who is always pushing smokes on folks. In an open letter, the strip's creator calls on Stranger publisher Tim Keck, Seattle Weekly publisher Ken Stocker and two other Seattle publishers "to meet with each other and create a pact to stop advertising tobacco altogether." (S)he is also "calling on all employees to consider where your paychecks are coming from, and to stand up to your employers." Keck says he's not swayed by the comic. "Our readers are educated adults who can make up their own minds about smoking, drinking and fixed gear bikes," he tells the Times. "We've added their site to our 'Friends of The Stranger' Slog roll. Who doesn't love a didactic comic with the Space Needle as the protagonist?" UPDATE: The Seattle Times now reports that 37-year-old Seattle artist Jeff Weedman is the creator of "Strangie."
The ordinance, passed last winter to bar the door-to-door distribution of menus, brochures and the like, also bans many circulation practices for free newspapers, Editor & Publisher reports. The law reads: "It shall be unlawful for any person to distribute or to cause others to distribute ... newspapers, periodicals and directories of any kind on any public way or other public place or on the premises of any private property in the city in such a manner that is reasonably foreseeable that such distribution will cause litter," including "leaving stacks of paper on the ground without any means of securing them," a distribution tactic used often by free dailies and weeklies. There doesn't appear to have been any enforcement of the law against newspapers thus far, E&P notes.
"The Reader is officially a one-section tabloid -- but that's not the only change," Chicagoist reports. "It's also coming out a day earlier ... and the layout is a lot more open and colorful, with more call-out text and larger graphic elements." Chicagoist's final verdict: "It's a change, but we're liking it." The Reader also has an open comments page on its site, where scores of Chicagoans have been weighing in on the redesign.
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