In the twelfth installment of this year's "How I Got That Story" series, Jeffrey Anderson talks about his multi-part investigative series "The Town the Law Forgot," which uncovered shocking abuses of power by government officials in Los Angeles County. He tells Sam Stoker how he started on this thread, and how he kept at it until it all started to unravel for him. Anderson, who wrote the series for L.A. Weekly but has since changed coast and is a staffer at Baltimore City Paper, also gives some advice to anyone undertaking an investigation. "The main thing is you just can't plan things out in advance," he says. "Things don't occur logically sometimes. You just need to be ready to revive things you have let go of. You just can't plan it."
"There's much to admire in the first act of Steven Leigh Morris's intelligent but uneven new play," says New York Times theater critic Rachel Saltz. "Beachwood Drive," written by Morris and based on a true story, has at its center a Ukrainian prostitute enslaved by the Russian mob and then caught by the police in a sting. Though Saltz praises the first act, she says that Morris "gets tripped up in the second act ... hitting his themes too hard and making his play seem more literary contrivance than living, breathing drama." The play is at New York's Abingdon Theater through Nov. 16.
Reporter staff writer Dave Maass has created a fictional zombie apocalypse in Santa Fe, using real information and scenarios. "To determine whether Santa Fe could prevent a zombie infection from expanding into a full-blown global zombie apocalypse," Maass interviewed scientists from Los Alamos National Laboratory, emergency responders, a company that maps infectious disease spread, cops and dozens of others. The result: a multimedia cover story and web packages, including maps, videos, and a zombie photo shoot featuring Santa Fe's mayor. Watch the outbreak spread below:
"The Sarah Palin song competition that we launched four weeks ago drew in seventeen submissions," the Express writes. The paper's music critics graded them for concept, lyrics, humor, style, musical depth, and aesthetic quality, on a scale of 0-5 bloody moose heads. The winner was "Sarah Palin vs. the Flobots" by M. Spaff Sumison (watch it below). The Express runs down the rest of the best -- and, well, the worst -- in this week's paper.
To celebrate Halloween this year, the Phoenix has prepared a "field guide of sorts" to the "fire-breathing bloviators [who] are using political bogeymen, scare tactics, and scorched-earth ideology to rally their base." The paper argues that the impending likely takeover of the White House and Congress by Democrats will only serve to "make these conservatives angry -- and thus exponentially even more dangerous." Coming in at number one is the omnipresent TV and radio talker Sean Hannity. The rest of the top 10 is, as follows: Richard Lowry, Mike Pence, Matt Drudge, Bill Kristol, Roger Ailes, Rush Limbaugh, Laura Ingraham, Jon Kyl, and Jeb Hensarling. For the full list, check the Phoenix's website.
Next June, AAN members will descend on the JW Marriott Starr Pass Resort & Spa in Tucson for the association's 32nd Annual Convention, hosted by Tucson Weekly. "This is one of the nicest places AAN has ever used for a convention," says San Francisco Bay Guardian executive editor Tim Redmond, who visited the property along with other AAN board members for a meeting last month. Read here for more about the convention and the lush Starr Pass resort.
In an attempt to link Democratic challenger Rick Noriega to the infamous Howard Dean "scream" of '04, a new campaign ad from incumbent Sen. John Cornyn (R-TX) "jacked" footage from an Austin Chronicle video showing Noriega excitedly giving his version of CNN's election-night broadcast. The Chronicle's Wells Dunbar says the paper is "considering all our options" in response to what he calls "the unsanctioned, unapproved, and unstatesmanlike" use of its video. But two of Cornyn's spokesmen tell the San Antonio Express-News and Houston Chronicle's Austin bureau blogger that they consider their use of the alt-weekly's video covered by the "fair use" exception in copyright law, and note their ad credited the paper as a source. "I don't think the Chronicle would be raising a peep of objection if their video didn't make Noriega look incredibly out of control," the campaign says.
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