Reporter staff writer Dave Maass has created a fictional zombie apocalypse in Santa Fe, using real information and scenarios. "To determine whether Santa Fe could prevent a zombie infection from expanding into a full-blown global zombie apocalypse," Maass interviewed scientists from Los Alamos National Laboratory, emergency responders, a company that maps infectious disease spread, cops and dozens of others. The result: a multimedia cover story and web packages, including maps, videos, and a zombie photo shoot featuring Santa Fe's mayor. Watch the outbreak spread below:
"The Sarah Palin song competition that we launched four weeks ago drew in seventeen submissions," the Express writes. The paper's music critics graded them for concept, lyrics, humor, style, musical depth, and aesthetic quality, on a scale of 0-5 bloody moose heads. The winner was "Sarah Palin vs. the Flobots" by M. Spaff Sumison (watch it below). The Express runs down the rest of the best -- and, well, the worst -- in this week's paper.
To celebrate Halloween this year, the Phoenix has prepared a "field guide of sorts" to the "fire-breathing bloviators [who] are using political bogeymen, scare tactics, and scorched-earth ideology to rally their base." The paper argues that the impending likely takeover of the White House and Congress by Democrats will only serve to "make these conservatives angry -- and thus exponentially even more dangerous." Coming in at number one is the omnipresent TV and radio talker Sean Hannity. The rest of the top 10 is, as follows: Richard Lowry, Mike Pence, Matt Drudge, Bill Kristol, Roger Ailes, Rush Limbaugh, Laura Ingraham, Jon Kyl, and Jeb Hensarling. For the full list, check the Phoenix's website.
In an attempt to link Democratic challenger Rick Noriega to the infamous Howard Dean "scream" of '04, a new campaign ad from incumbent Sen. John Cornyn (R-TX) "jacked" footage from an Austin Chronicle video showing Noriega excitedly giving his version of CNN's election-night broadcast. The Chronicle's Wells Dunbar says the paper is "considering all our options" in response to what he calls "the unsanctioned, unapproved, and unstatesmanlike" use of its video. But two of Cornyn's spokesmen tell the San Antonio Express-News and Houston Chronicle's Austin bureau blogger that they consider their use of the alt-weekly's video covered by the "fair use" exception in copyright law, and note their ad credited the paper as a source. "I don't think the Chronicle would be raising a peep of objection if their video didn't make Noriega look incredibly out of control," the campaign says.
Mark Gold is executive director of Heal the Bay, a Southern California environmental nonprofit, which can lead to some interesting exchanges with his brother, LA Weekly's Pulitzer-winning food writer. "I am already anticipating the nasty glare I will inevitably get from my marine-scientist brother," J. Gold wrote recently in a report on eating whale in Korea, "[who] has dedicated his life to pretty much the opposite of this." On his blog, M. Gold wonders: "If only Jonathan focused on sustainable seafood for a year, imagine the positive impact he'd have on local restaurants and the dietary choices of the food obsessed." But the food writer (who recently signed on for a column at Gourmet) gets the last word (thus far) in his brother's blog comments. "I stress the local-sustainable-organic trope in my columns almost to the point of self-ridicule," he writes, "and I would as soon amputate a toe as buy meat or fish from a supermarket."
Edward McClelland measures his former paper's hip quotient, using the fictional Reader music critic who appeared in the 2000 film High Fidelity as a yardstick. "Today, if you made a movie about Chicago hipsters, Caroline Fortis probably wouldn't write for the Reader," McClelland writes in Columbia Journalism Review. "She'd write for Time Out Chicago, or Pitchfork." Reader editor Alison True, Creative Loafing CEO Ben Eason, and former Reader staff writers Neal Pollack and Harold Henderson weigh in with their takes on the Reader's past and its future.
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