On Monday, the paper published Nigel Jaquiss' expose revealing that Portland Mayor Sam Adams, contrary to his earlier denials, confessed to having had a sexual relationship with 18-year-old Beau Breedlove in 2005. Adams, who was sworn in as Portland's first openly gay mayor on Jan. 1, apologized yesterday for lying and for forcing Breedlove to lie. Also caught up in the City Hall scandal is the Portland Mercury, which was pursuing the story along with WW. Former news editor Amy J. Ruiz was one of two Mercury writers working on the story; subsequently, Adams hired her to be his planning and sustainability policy adviser. "It never crossed my mind that [Adams] might have hired me to keep me quiet," Ruiz says. Adams says Ruiz earned the position on merit. "Amy was hired because of her smarts," he says. Meanwhile, Mercury editor Wm. Steven Humphrey says that the paper didn't sit on the story, but merely lost the race to the finish line to Jaquiss.
In a letter published in this week's New Yorker, Richard Karpel tells the magazine that Louis Menand was bizarrely off the mark when he claimed in his recent story on The Village Voice that "after 1970, the alternative press died out" when "mainstream publications moved into the field." Karpel writes: "The progenitors of the alternative press ... were founded by trailblazers so far out of the mainstream that forty years later even a scrupulous publication like The New Yorker seems to have forgotten that they exist," MORE: Texas Observer managing editor Brad Tyer weighs in on Menand's piece on his blog.
The plot of Lynn Shelton's Humpday centers on two straight college friends who decide to make a movie for HUMP!, the real-life amateur porn contest produced each year by The Stranger. "It's about the limitations and occasional absurdity of straightness, specifically male straightness," Shelton tells The Stranger. "These two guys try to 'outdude' each other by trying to 'do' each other, which is kind of ironic." Salon critic Andrew O'Hehir says Humpday -- which found a distributor this week -- is an "early candidate for Sundance breakout hit." MORE: Read an interview with Shelton at IFC.com.
"Since it's printed in Yakima, a semi truck filled with tens of thousands of copies of The Stranger is sitting on the other side of the 10-feet-deep body of water that used to be known as I-5," editor Christopher Frizzelle wrote last Thursday. The alt-weekly reprinted the entire issue at the Seattle Times printing facility and distributed it a little late. "Enjoy this week's paper," Frizzelle wrote. "It was very expensive."
Louisiana's Independent Weekly reports that in 2008 it had to lay off one employee and that it recently instituted "a single digit, company-wide salary cut." The Nashville Scene says it is eliminating its books section, as well as News of the Weird and the New York Times crossword. Boise Weekly's publisher says that even though the "last quarter of 2008 was very disappointing ... it might have been the best we will see for awhile." Meanwhile, the Chicago Reader says goodbye to two of its departing editorial staffers, and Nat Hentoff talks to the New York Times about his plans post-Voice.
In this week's Village Voice, the recently laid off Nat Hentoff bids farewell with a column that touches on his time at the paper and his journalistic influences. "I came here in 1958 because I wanted a place where I could writer freely on anything I cared about," he writes. "There was no pay at first, but the Voice turned out to be a hell of a resounding forum." On the other coast, LA Weekly veteran Marc Cooper, who was let go a few months ago, has posted what he's calling an "autopsy" of the Weekly on his website. Cooper, who first joined the paper in 1982, pulls no punches in his nearly-6,000-word piece, but the gist can be found in one of the closing paragraphs. "If there was ever a time for an aggressive, irreverent, credible metro weekly to take on the [Los Angeles Times], it's right now, right here," he writes. "That requires investment, not layoffs."
The Mercury is the new co-sponsor of an inauguration party with the Oregon Democratic Party, a few weeks after the Willamette Week backed out of the gig, citing journalistic ethics. "We're an alternative paper and we make a promise that we're going to be accurate and fair," Mercury editor Wm. Steven Humphrey tells the Oregonian. "So if the Republicans ever manage to elect an awesome president, we'll sponsor their party too." On the Mercury's blog, Humphrey puts it this way: "Anyone who thinks it's unethical can stay home."
Eleven gay bars received letters yesterday from someone claiming to be in the possession of ricin, a deadly poison. "Your establishment has been targeted," the letter begins. "I have in my possession approximately 67 grams of ricin with which I will indiscriminately target at least five of your clients." The Stranger also received a letter, which was addressed to the attention of "Obituaries," according to editorial director Dan Savage. It said that the paper should "be prepared to announce the deaths of approximately 55 individuals all of whom were patrons of the following establishments on a Saturday in January," before listing a handful of gay bars.
In a passage in Louis Menand's piece on the Village Voice, the New Yorker critic claimed that "after 1970, the alternative press died out" after "mainstream publications moved into the field." Russ Smith corrects the record: "Menand is apparently unaware that radical 'underground' papers like The Los Angeles Free Press and Berkeley Barb begat a new kind of weekly, papers like The Chicago Reader, Phoenix New Times and L.A. Weekly, which, until recently, were staples in their respective cities and not only produced excellent journalism but made a lot of money as well," Smith writes on his new website, Splice Today. The "sloppy article ... certainly muddies the history of not only The Village Voice, but also the weeklies that it inspired."
In a Dec. 31 memo to all Village Voice Media staffers, CEO Jim Larkin and executive editor Michael Lacey say "this year we have found it necessary to make staff reductions and have placed all staff openings on hold." The memo also details "additional measures" being taken by the company to weather the current economy storm. All VVM senior managers and officers (including Larkin and Lacey) are taking 15 percent pay cuts, all publishers and editors are taking 10 percent pay cuts, and VVM is suspending its match into the company's 401(k) plan. MORE: Westword loses three editorial staffers, The Pitch lays off several, City Pages parts ways with two, and New Times Broward-Palm Beach eliminates several positions.
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