"Now I know how the line workers at a bottling plant must have felt when they heard about Laverne and Shirley!," Chris Packham of Kansas City's The Pitch writes in reaction to the sitcom "set in the office of a dishy alternative weekly publication and blog" that ABC is considering. "You totally know this thing will be like Sex and the City with nose rings and ironic T-shirts. TV is not always the worst -- for instance, it's awesome when it tells stories about Battlestars or Detective McNulty -- but this has the unmistakable whiff of horrible, usually depicted by cartoonists as wavy stink lines."
Dave Segal, who resigned as The Stranger's music editor in 2006 after secretly allowing an employee from ad sales to write pseudonymously for the paper's Line Out blog and music section, has been hired as a music writer. "Whatever Segal's missteps as an editor, he remains an impeccable music writer -- passionate, knowledgeable, diverse in his tastes -- and so, after several rounds of musical chairs, we're bringing him back as a staff writer," writes current music editor Eric Grandy. "He'll have no managerial responsibilities -- to the point, he won't be hiring any freelancers -- but he'll get to do what he's best at, which is writing about music." Segal was most recently music editor at OC Weekly.
In the non-daily print division, both the Memphis Flyer and Miami New Times won four first-place awards in the annual contest which "recognizes outstanding journalism in 11 southeastern states." The Flyer placed first in disaster coverage, editorial writing, feature reporting, and political reporting. It also tacked on two third-place finishes. Miami New Times finished first in consumer reporting, courts and law reporting, criticism (a category swept by alt-weeklies), and non-deadline news. New Times added one third-place finish as well. In addition, New Times Broward-Palm Beach took home two awards, including a first-place win for sports reporting; while both Mountain XPress and North Carolina's Independent Weekly went home with a second-place award. Winners were announced Saturday in Atlanta.
The Voice's annual indie rock festival, which celebrated its 8th installment this weekend, may have to find a new location if the redevelopment of Coney Island breaks ground next year as some expect, the New York Times reports. "Siren isn't the most comfortable of rock festivals. The sound systems are mediocre and the pedestrian routes between the stages are irrational," the Times notes. "But Siren does place the tattooed-nerd fashion sense of indie rock in the diverting context of Coney Island's other freaks and sideshows." However, the redevelopment would eliminate these freaks and sideshows and the entire old amusement area, which could mean an end to Siren at Coney Island. "It's my first time here," Broken Social Scene's Kevin Drew said as the band ended its set this weekend. "I don't want it to be the last."
The Pulitzer Prize-winning cartoonist spoke with Brian Heater from the Daily Cross Hatch blog after a recent event celebrating the release of Explainers, a hardbound volume of the early Village Voice strips that first put Feiffer on the map. He talked about how hard it was to get his work published in the 1950s. "The political times were essentially not friendly to satire. This was just after Joe McCarthy, and there was still a very oppressive atmosphere, particularly in terms of what the media was and wasn't willing to print," Feiffer says. "The Voice, as it appeared, was the one independent newspaper that was likely to run me, if anyone was going to run me. If The Voice wasn't going to run me, I would have run out of choices and would have had to do something else with my life."
So says Washington Post critic Patrick Anderson, who describes ex-Omaha Weekly (now Omaha Reader) news editor Jonathan Segura's "Occupational Hazards" as "a savagely funny first novel" that tells a "dungeon-dark tale of low-rent journalism, political corruption and rampant degeneracy in a hellish Omaha." According to Anderson, Segura joins ex-Philadelphia City Paper editor Duane Swierczynski as mystery writers whose work is part of a new trend in the publishing business of releasing offbeat novels direct to paperback.
Friday was Bradley Steinbacher's last day at The Stranger. The paper's nameplate (pictured) was adjusted this week in his honor, and the staff celebrated with a tenderly worded send-off from public editor A. Birch Steen, along with a series of blog posts too voluminous to link to, including this one, which was iPhoned in by Brad's boss, Dan.
The Stranger's first guest blogger, Chelsea Alvarez-Bell, quit last month because of the "vicious bullies" who tormented her in the Slog's comments section. This week Lev Grossman ledes with the incident in his column in Time Magazine decrying "the horribleness of commenters."
The unionized Voice employees averted a strike early this morning, forging an agreement with Village Voice Media for a new three-year contract, the New York Press reports. "We got a deal. 3 o'clock this morning," Voice staff writer and shop steward Tom Robbins tells the Press. "We won a good victory for unions." Under the new contract, which was unanimously ratified this morning, union members will not be expected to pay any portion of the premium of their health care, and Robbins says the new contract calls for a raise.
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