Newsday reports that Newfield -- who worked at the Village Voice from 1964 to 1988, first as a columnist and reporter, and later as senior editor -- died Monday night at the age of 66. After leaving the Voice, he went on to write for the New York Daily News and the New York Post, and was most recently a columnist at the New York Sun. He also authored 10 books, including biographies of Robert Kennedy and Rudy Giuliani. Wayne Barrett, Newfield's colleague at the Voice, tells Newsday: "I think [Newfield] invented a whole new form of personal investigative journalism that was rooted in a consuming ethic and a brilliant search for truth."
Robinson Devor's film Police Beat, which chronicles a week in the life of an African-born Seattle bike cop, has been accepted for the 2005 Sundance Film Festival Dramatic Competition, reports the Seattle Times. Devor co-wrote the film with Charles Mudede, whose Police Beat column in The Stranger provided its inspiration. Zimbabwe-born Mudede would visit police precincts, scan the log for interesting stories, interview the cops involved and incorporate their stories into his column. The film was selected into the prestigious competition from more than 700 submissions. (Free registration required.)
Requests for the Nov. 11 edition of The Stranger are pouring into the Seattle alt-weekly's offices, largely from readers who found a degree of post-election solace in the issue's unorthodox cover, according to the Seattle Post-Intelligencer. The cover features text in a series of colored bars that reads "Do not despair," before reassuring readers that they're part of a "diverse, dynamic, and progressive … urban archipelago" that voted overwhelmingly for Kerry. "People really responded to it," says editor Dan Savage, who wrote the cover text. Incoming requests for the issue number around 500, and that's just the beginning. "People want T-shirts, people want posters," says Savage.
Utne magazine has announced the nominees for its 2004 Independent Press Awards, and Association of Alternative Newsweeklies member papers dominate the "Local/Regional Coverage" category. Austin Chronicle, Chicago Reader, The Stranger, The Texas Observer and Westword all received nominations, as did Los Angeles CityBeat, an upstart alt-weekly that's only been publishing for 16 months. Nominees were chosen from among 2,000 alternative media sources. According to the Utne Web site, selection depended partly upon which publications were "most apt to go missing from the Utne library."
At least five L.A. Weekly senior editorial and art department employees -- including veteran education reporter Howard Blume -- have filed grievances with management via the International Association of Machinists, the paper's bargaining unit, reports L.A. Alternative Press. Most are alleging that they're being pushed out of their jobs without adequate union process as specified in their contracts and only because they make some of the paper's top union salaries. These charges come on the heels of the September ouster of several veteran employees at The Village Voice, which, like L.A. Weekly, is owned by Village Voice Media.
Seattle, Wash., alt-weekly The Stranger has tabbed five creative types for its annual Genius Awards, reports Regina Hackett of the Seattle Post-Intelligencer. The awards, which Stranger editor-in-chief Dan Savage describes as a middle ground between the MacArthur and Publishers Clearinghouse Awards, debuted in 2003. Like last year, each of this year's winners receives a cake frosted with the words "You're a genius!" and a promise of $5,000. A party for the winners will be held Oct. 15 at Western Bridge, a Seattle art space.
Freelance journalist Becky Oberg wanted to expand her reportage for NUVO, an Indianapolis alt-weekly, into a book. Carlo DeVito, publisher of Chamberlain Bros., a Penguin imprint, was looking for new projects. Despite the fact that Oberg was, in her words, "an unknown, unagented, first-time author," DeVito called her and asked if she'd turn her story about an Army private's desertion to Canada via an "underground railroad" into a book. Why was a publisher scouring alt-weeklies for book ideas? Says DeVito: "We're always looking for a good story and a new point of view, and that's what a lot of these papers express."
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