After the Manhattan alt-weekly named Keach Hagey its new media columnist last week, it didn't take long for the NYC blogosphere to find her band, Fur Cups For Teeth, which Philadelphia City Paper has described as "part vacuum-pushing pep squad, part women's studies posse." But Hagey assures Gawker that her new responsibilities at the Voice will not be the demise of Fur Cups. "Nothing's gonna happen to the band," she says. "We're going to keep rocking!"
Tom Robbins is the second distinguished journalist to occupy the post at Hunter College, established to honor Newfield. Robbins, a former colleague of Newfield's at both the Voice and the Daily News, will teach a course entitled "Urban Investigative Reporting" and will also assist students in researching and writing a lengthy article or series of articles focused on an aspect of city life. "Whether tomorrow's journalists are writing online or on paper, we need more of them who understand and share Jack Newfield's passion for justice and the city he lived in," Robbins says in a press release.
The latest to leave are OC Weekly feature editor Rebecca Schoenkopf, whose Commie Girl column won last year's big-paper AltWeekly Award for best political column, and City Pages music critic Jim Walsh, who served two stints at the Minneapolis alt-weekly, the latest beginning in 2003. OC Register columnist Frank Mickadeit reports that Schoenkopf has "been ready to leave the Weekly for some time, simply because she needed a change" and that "her dream job would be editor-in-chief of an alternative weekly somewhere." In her farewell column, Schoenkopf puts the paper's recent ownership change into context: "It could have been worse: Dean Singleton could have bought our newspaper. At least this way, we still get to call people twats." (OC Weekly music editor Chris Ziegler also left the paper, Schoenkopf notes in her column.)
Will Swaim is the second Village Voice Media editor to resign this week over "philosophical differences" with the company's new owners. OC Weekly employees tell the Los Angeles Times that they were expecting the resignation, "because it was apparent that (Swaim's) autonomy to run Orange County's only alternative newspaper had eroded since it was purchased last year by the New Times publishing chain." Swaim tells the Times that his differences with the new owners were on "the business side," and did not pertain to editorial content. "They run a very complicated organization and want to have standardization across all 18 markets," he says. "I don't argue whether it's dumb or wrong. It's just not my way." CORRECTION: VVM has papers in 17 markets.
The Village Voice Media paper announced yesterday that Cleveland Scene managing editor Kevin Hoffman would replace Steve Perry, who resigned earlier this week. Former City Pages co-owner Tom Bartel (the brother of the paper's current publisher, Mark Bartel) tells the Minneapolis Star-Tribune that he thinks Hoffman and present VVM management deserve a chance. "They've produced some terrific editors and stories over the years," Bartel says. "But anybody who comes in from out of town will have a certain learning curve. He needs to know the community he's covering."
That's the rhetorical question PopMatters asks in an article lamenting the "sad trajectory" of arts coverage at the paper since it was taken over by New Times. In a somewhat less-than-thorough investigation, the Web site turns to two former Voice music critics for answers. Robert Christgau says Michael Lacey is "a philistine who hates New York City” but admits that Village Voice Media's executive editor cares about writing; it's just not the kind of writing that Christgau does. Meanwhile, Eric Weisbard claims the new owners hate "what the Voice stood for," i.e., "the idea that you should write about pop music with the same depth and the same number of cultural references that you would talk about a novelist in the New York Review of Books."
Village Voice columnist and VH1 commentator Michael Musto plays the viola, still goes home to Bensonhurst for the holidays, and does a mean Diana Ross, reports the Times in a 'Night Out' profile of what the paper calls "the city’s most punny, raunchy and self-referential gossip columnist." Oh, and they also mention his new book, "La Dolce Musto," a compilation of two decades worth of the columnist's favorite "blind items, outings, hissy fits and scandals concerning everyone from Madonna to Anita Ekberg."
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