Erik Wemple's coworkers at Washington City Paper had been "excited about the opportunity" for him to become editor of the Village Voice, he tells Mediabistro's FishbowlDC a week after changing his mind about taking the position. That doesn't mean they were anxious for him to leave: "Proof of Wemple's worth to the City Paper can be found in the fact that you'll be hard pressed -- and trust us, we've tried -- to find a CityPaper employee who's not pleased to have Wemple back in the saddle," FishbowlDC Editor Patrick W. Gavin writes. Wemple does acknowledge that "there are clearly legitimate questions about whether my head is in the game at this stage" -- questions that he intends to answer by doing solid work.
In the first installment of AAN's new interview series, Amy Austin (pictured), Dave Nuttycombe and Tim Carman of Washington City Paper describe how reader-created restaurant reviews have forged a new relationship between the newspaper's print and Web products. They also explain the meaning of sporks. To suggest a topic for a future interview, contact Amy Gill at amyg@aan.org.
A recent survey of AAN papers revealed that the applications alt-weeklies are using to track circulation are as diverse as the newspapers themselves. A few papers rely on their in-house wiz for a custom-made program, but for the rest of the industry, a commercial package is the only sophisticated option. Alt-weekly circulation insiders describe their woes, successes, and dreams of better uses for the numbers.
"It’s not all that surprising that the Washingtonian is a really white magazine," writes the City Paper's Huan Hsu, scolding his employer in a sidebar to its 2,900-word demolition of the upscale city mag's lily-white staff and hypocrisy on diversity issues. "It would seem a much bigger problem for the City Paper, which purports to write about a predominately black city, yet is produced by a bunch of young white folks who live in Northwest D.C. Our urban cred is just as contrived as the Washingtonian’s class." (CP's Washingtonian story can be found here; scroll down for Hsu's sidebar.) "It wasn't always this way," according to Hsu, a Chinese-American who grew up in Utah and says he spent most of his "childhood aping the mannerisms of Mormons, not Chinese people." Former Editor in Chief David Carr established a minority fellowship that "wasn't just window dressing," he says, and the paper's "high-water mark (in edit-staff diversity) came in 2001, during Howard Witt’s tenure, when there were three black female editorial staffers and two black female interns." The paper's last minority fellow departed in 2001, and current Editor in Chief Erik Wemple accepts the blame: “It’s clearly my fault that we don’t have more minority representation on staff,” he tells Hsu.
Michael Little, a freelancer for Washington City Paper, knows what he likes to write about: "failure and futility -- and losers." That fascination led him to write an arts feature about a woman consigned to an insane asylum in the early 1900s who produced a piece of lace that hinted at her dark sexual story. This is the ninth in a "How I Got That Story" series highlighting the AltWeekly Awards' first-place winners.
