After a two-year hiatus, the "How I Got That Story" series today returns to AAN.org to help shed light on the processes employed by first-place AltWeekly Award winners. This year, 19 winners were interviewed by Academy for Alternative Journalism fellows, and each week, two new interviews will be published on AAN.org. These interviews will also appear in the book Best AltWeekly Writing and Design 2008, which will be available soon. To read the first installment of the series, Rich Knight's interview with Washington City Paper art critic Jeffry Cudlin, click here.
"I never saw myself as much of a muse; I tend to piss off theater people more often than I inspire them," writes critic Chloe Veltman. She says she "didn't know whether to feel flattered or alarmed" when she learned that Tore Ingersoll-Thorp's new drama was created partly in response to one of her essays. The press release for the play, titled March to November, declares, "Inspired by SF Weekly theater critic Chloe Veltman's January 9, 2008, article entitled 'Election Stage Left,' which challenged Bay Area playwrights and theater companies to create more 'political' works, Sleepwalkers answers the call to arms with a classic hero story that assesses the relevance of overtly political theater."
To mark the occasion, the paper has put together a package reflecting not only its 35th anniversary, but its purchase last winter by Newspapers of New England Inc. During "seven-plus years of corporate ownership" under the Hartford Courant and the Tribune Company, the Advocate "found itself in the hands of a corporation that prized uniformity over individuality, that worried more about its shareholders than its readers, that bought into a world view that has become endemic in mainstream publishing," editor Tom Vannah writes. "More than a simple marking of time, then, this 35th anniversary is part of the Valley Advocate's rediscovery of the virtues of being an independent alternative to the corporate brand of media we were born to challenge."
The cover of the Edmonton alt-weekly's annual sex survey features three naked people, backs turned to the camera, with any naughty bits obscured by text. But the image is still too racy for at least one local resident, who tells CTV Edmonton that she's starting a petition to have the transparent windows of news boxes covered, ostensibly to protect children. "It's basically the same thing you can get in an adult magazine," Michelle Gimenez says, adding that the news boxes are at eye-level with children. But others interviewed by CTV didn't seem to mind. "You see more graphic things on TV in the middle of the day ... it doesn't bother me," says one woman. Vue publisher Ron Garth defends the cover, saying "it's about pushing the limits in every respect (sic)."
At the Monday meeting of Missoula's city council, Independent owner and publisher Matt Gibson said he wants the city to be able to place its mandatory legal notices in the alt-weekly, rather than in a paid newspaper, the Missoulian reports. Gibson told the council that Missoula County places such ads in the Independent, and saves about $20,000 a year by doing so. The problem is that Montana law says cities must run the legal notices in a paid newspaper. Gibson told the council he'd like the Montana League of Cities and Towns to take up the matter during the upcoming legislative session.
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