Lance Gould, a veteran New York journalist, will begin his tenure in Boston in late April. Gould, formerly an editor at New York's Daily News and Spy magazine, was most recently a contributing editor at Radar magazine. He replaces Bill Jensen, who left the Phoenix to become director of online operations for Village Voice Media. Executive Editor Peter Kadzis says of Gould: "His recent work at Radar, where a premium was placed on the interdependence of print and online, will serve him particularly well at the Phoenix as we continue to work toward maximizing the convergence of our print, online, and radio content."
The parent company of SF Weekly and East Bay Express hired local litigation specialists Kerr & Wagstaffe to replace Orrick, Herrington & Sutcliffein in the predatory-pricing lawsuit brought against those two papers by the San Francisco Bay Guardian. Kerr & Wagstaffe is the third firm involved in the defense of the lawsuit, set to go to trial in mid-July, reports Legal Pad, a blog focusing on California law.
Britt Robson, who will leave March 1, tells the Star-Tribune his chief reasons for quitting were editor Steve Perry's recent resignation and the hiring of an editor from out of town to succeed him. "There was absolutely no pressure on me to leave," Robson says. "I just didn't want to be an unhappy, divisive force on the staff, which I would have been if I had stayed." He had spent over 10 years at the paper and was among Steve Perry's closest confidants, according to the Star-Tribune.
The latest to leave are OC Weekly feature editor Rebecca Schoenkopf, whose Commie Girl column won last year's big-paper AltWeekly Award for best political column, and City Pages music critic Jim Walsh, who served two stints at the Minneapolis alt-weekly, the latest beginning in 2003. OC Register columnist Frank Mickadeit reports that Schoenkopf has "been ready to leave the Weekly for some time, simply because she needed a change" and that "her dream job would be editor-in-chief of an alternative weekly somewhere." In her farewell column, Schoenkopf puts the paper's recent ownership change into context: "It could have been worse: Dean Singleton could have bought our newspaper. At least this way, we still get to call people twats." (OC Weekly music editor Chris Ziegler also left the paper, Schoenkopf notes in her column.)
Will Swaim is the second Village Voice Media editor to resign this week over "philosophical differences" with the company's new owners. OC Weekly employees tell the Los Angeles Times that they were expecting the resignation, "because it was apparent that (Swaim's) autonomy to run Orange County's only alternative newspaper had eroded since it was purchased last year by the New Times publishing chain." Swaim tells the Times that his differences with the new owners were on "the business side," and did not pertain to editorial content. "They run a very complicated organization and want to have standardization across all 18 markets," he says. "I don't argue whether it's dumb or wrong. It's just not my way." CORRECTION: VVM has papers in 17 markets.
The Village Voice Media paper announced yesterday that Cleveland Scene managing editor Kevin Hoffman would replace Steve Perry, who resigned earlier this week. Former City Pages co-owner Tom Bartel (the brother of the paper's current publisher, Mark Bartel) tells the Minneapolis Star-Tribune that he thinks Hoffman and present VVM management deserve a chance. "They've produced some terrific editors and stories over the years," Bartel says. "But anybody who comes in from out of town will have a certain learning curve. He needs to know the community he's covering."
That's the rhetorical question PopMatters asks in an article lamenting the "sad trajectory" of arts coverage at the paper since it was taken over by New Times. In a somewhat less-than-thorough investigation, the Web site turns to two former Voice music critics for answers. Robert Christgau says Michael Lacey is "a philistine who hates New York City” but admits that Village Voice Media's executive editor cares about writing; it's just not the kind of writing that Christgau does. Meanwhile, Eric Weisbard claims the new owners hate "what the Voice stood for," i.e., "the idea that you should write about pop music with the same depth and the same number of cultural references that you would talk about a novelist in the New York Review of Books."
Richard Diefenbach read Gustavo Arellano's syndicated column for the first time in the Weekly Alibi, while on vacation in Albuquerque. He was so enthused with the column -- which that week addressed readers' questions about "the Mexican love affair with chicken and similarities between Mexicans and the Irish," according to Arellano -- that when he returned to work in his hometown of Newport, Ore., he printed a copy and gave it to a Mexican-American co-worker. The following day Diefenbach was suspended from work for five days without pay, accused of racial discrimination and sexual harassment.
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