Early in his career as a sports writer for The Winchester Star in Winchester, Va., Dave Mann realized he “wasn’t too into sports journalism” and switched gears toward more long form, investigative reporting.
Texas Observer editor Bob Moser is leaving to become the executive editor of The American Prospect.
Craig Malisow of the Houston Press and Jeff Prince of Fort Worth Weekly were honored as Journalist of the Year in their respective divisions.
The recent Best of the West journalism contest honored several alt-weeklies, including the Houston Press, Phoenix New Times, SF Weekly and Denver's Westword, which each picked up first-place honors.
Joe Tone has been tapped as editor of the Dallas Observer, where he will replace Mark Donald. Tone was most recently the editor of The Pitch in Kansas City.
Alt-Weekly writers are well-represented in the list of finalists for the 2011 James Beard Foundation Awards. Winners will be announced on May 6.
The Association of Food Journalists (AFJ) has announced the winners in its 2010 awards competition, and four AAN members are in the mix. Miami New Times has placed in three categories -- Best Newspaper Food Feature (under 200K circ.), Best Newspaper Food Story and Best Newspaper Food Criticism. The Village Voice staff is competing in the Best Newspaper Food Coverage (150-250K circ.) category, while the L.A. Weekly staff is in the running for Best Food Blog. And the Mountain Xpress' Hanna Raskin, who recently decamped to the Dallas Observer, is competing in the Best Newspaper Food Column category. The placement of the winners will be announced at AFJ's annual conference in September.
"Red Hot Patriot: The Kick-Ass Wit of Molly Ivins" had its world premiere Wednesday night at the Philadelphia Theatre Company. The play, which stars Turner as Ivins, offers a "complex, nuanced sense" of the former Texas Observer editor "in all her loud messiness," according to Politics Daily. Half the words in the play are from Ivins, and the other half were written by Margaret and Allison Engel. "The day after Molly died I was so upset that her voice was gone that I called Allison and said we have to do a show about her," Margaret says. "I felt she was our Mark Twain, our Will Rogers, and by 'ours' I meant the country's."
The Observer recently unveiled a redesign that was overseen by Austin-based Em Dash. "The challenge was to create a template that could be produced by one part-time art director with a $450 art budget per issue," Robert Newman writes. "The result: a sharp, smart, right on, low-budget, high-impact design, perfect for the magazine's mix of muckraking reporting and liberal politics." The Observer has also launched a redesigned website.
The Society of Publication Designers takes a look at the work being done at the Observer by art director Alexander Flores, who says he does almost all of the cover work himself. The SPD highlights a collection of Flores' covers that are quite diverse; the art director says that's intentional. "I try look at the paper as a collective volume; I try to not design similar-looking covers in tone, color palette, style, etc. in consecutive weeks," he says. "I want to make sure that the readers notice the new issue on the stand and pick that one up too, instead of not, because from 10 feet away it looks like last week's issue which they already grabbed."
