"I suspect I know how this new show, tentatively titled The Weekly, is gonna go," writes Washington City Paper's Mark Athitakis about a sitcom "set in the office of a dishy alternative weekly publication and blog" that ABC is considering. "I've seen plenty of portrayals of journalists on TV after all," he writes, before offering some sample dialogue. "Don't think what follows is funny? Fine; the show is being produced by a co-creator of The King of Queens, so I'm just being spot-on." Salt Lake City Weekly's Bill Frost says he's curious about the new venture because he had a similar idea. "I wrote a sitcom pilot script about an alt-weekly newspaper office four years ago and submitted it to Bravo's reality-competition show Situation: Comedy," Frost writes. "Sure, my script sucked -- but it was still better than any Fox comedy of the last decade or so. ... Maybe I'd better dust that dog off and submit it to The CW ... while they're still in business."
The Pulitzer Prize-winning cartoonist spoke with Brian Heater from the Daily Cross Hatch blog after a recent event celebrating the release of Explainers, a hardbound volume of the early Village Voice strips that first put Feiffer on the map. He talked about how hard it was to get his work published in the 1950s. "The political times were essentially not friendly to satire. This was just after Joe McCarthy, and there was still a very oppressive atmosphere, particularly in terms of what the media was and wasn't willing to print," Feiffer says. "The Voice, as it appeared, was the one independent newspaper that was likely to run me, if anyone was going to run me. If The Voice wasn't going to run me, I would have run out of choices and would have had to do something else with my life."
With little comment, Judge Marla Miller on Friday denied requests from SF Weekly to overturn the verdict in favor of the Bay Guardian or to order a new trial, the Guardian reports. The ruling means the predatory-pricing case will likely head to the California Court of Appeal.
That's according to Variety, which reports in its inimitable varietyese that "The Weekly" is a "single-camera workplace comedy ... set in the office of a dishy alternative weekly publication and blog." Huh? Furthermore, "project is penned" by the impossibly named Flint Wainess, according to The Bible of the Entertainment Industry.
The paper formerly known as The Weekly Planet signed a distribution deal this week with the St. Petersburg Times, according to the Tampa Bay Business Journal. The Business Journal also reports that publisher Sharry Smith "assured the staff that protection clauses were added to the agreement to keep Creative Loafing stories confidential until the actual release date." Although the Business Journal says the agreement "cost 19 people jobs," Smith tells AAN only one staff person was laid off.
AAN's first conference for publishers will be held Oct. 31-Nov. 1 at the La Posada de Santa Fe Resort & Spa in Santa Fe, New Mexico. The small, informal conference will emphasize conversation and idea sharing, but there also will be several speakers addressing big-picture publishing issues and business trends. Registration will be capped at 40, and will be limited to one publisher or senior manager from each member paper, or two partner-owners from the same paper.
"A thug who beat up women and a recovered crack addict raising twins -- both are the story of my life." That's how the former editor of Washington City Paper describes the tale he tells in "The Night of the Gun," which hits the street on Aug. 5.
After 16 years, Cleveland's oldest AAN member published its last issue today. Started by labor lawyer Richard Siegel in 1992, the alt-weekly survived even after its founder died a year later, always striving to remain faithful to his mission of providing "tough-minded, responsible and gutsy coverage of what's really going on in" Cleveland. Although Free Times survived a temporary shutdown in 2002-03, this time it appears to be closing for good. In its final issue, the paper publishes a series of tributes, remembrances, and critiques.
The English-language alt-biweekly for Moscow's expat community was born anew this week as a webzine called The eXiled. "(O)ur job isn't done," says editor Mark Ames, who claims to have moved the publication's operations to Panama. "We've got a lot of bile yet to be pumped, a lot of unfinished business -- and thanks to our readers, we've got a little pot of money to fuel our insurgency against what we can only describe as 'the fucks.'" According to Ames, The eXile was closed last month when its investors pulled out and its editors fled the country after Russian authorities arrived at the paper's office and announced an "unplanned audit" of its editorial content.
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