The columnist and Creative Loafing shareholder says his company's acquisition of the Chicago Reader and Washington City Paper is neither an "idealistic foray" nor a "hostile takeover of independent papers." The way Sugg sees it, the two papers were caught up in a "broader crisis in the publishing business" that their former owners weren't nimble enough to navigate. He also defends CEO Ben Eason, who hasn't exactly been welcomed with open arms in Chicago and Washington. "He believes alt-weeklies can help readers strengthen their communities," says Suggs. "Eason loves to see controversy in his newspapers. He admits mistakes, takes risks and has an ambitious vision for new media. His lieutenants often disagree with him; he listens ... sometimes."

Continue ReadingCL’s John Sugg: Our New Chain is More than a Balance Sheet

In 1977, Johns Hopkins University graduates Russ Smith (who later founded New York Press) and Alan Hirsch launched the first issue of City Squeeze. "Despite the dreadful name (soon changed to its current handle) and shoestring origins, it quickly established itself as the house organ of Baltimore's demimonde as well as a feisty elbow-thrower in the local media scrum," says current editor Lee Gardner in this week’s cover intro. The issue features several stories from the archives, including a 1979 examination of Charm City's political bosses by Black Hawk Down author Mark Bowden, a 1984 interview with child molester Arthur Goode by Hairspray filmmaker John Waters, and a selection of photography by long-time contributor Jennifer Bishop. Online readers can also check out the first year of City Squeeze issues in a PDF gallery. "As for the future of City Paper, well, there’s another issue to get out next week, and another the week after that, and I believe that the paper offers something distinctive enough that the demand for it will endure for weeks and weeks and weeks to come," writes Gardner.

Continue ReadingBaltimore City Paper Celebrates 30th Anniversary

"We've received so many overtures over the years and they’ve never come to pass," Bob Roth tells Reader media critic Michael Miner. "[But] we got a better offer than I expected." Creative Loafing CEO Ben Eason tells the Washington Post it was an "eight-figure sale" and that he tried to buy the Reader's minority stakes in the Stranger, the Portland Mercury and the Amsterdam Weekly, but that Roth wouldn't sell. Miner tells the Chicago Tribune that the Reader staff is "discombobulated" at the moment. "This has been a very insular paper," Miner says. "We've seen other papers buffeted by change that hasn't affected us until now." Miner also reports that Reader publisher Mike Crystal and editor Alison True will remain with the paper, but production will be moved to Atlanta, according to a report in the Chicago Sun-Times. Production of City Paper will also be moved to Atlanta, where all four of Creative Loafing's papers are currently produced. Back in Washington, editor Erik Wemple says that budget cuts that had already begun will continue, but "there's no fat in our newsroom that I can identify and so this is difficult process. I refuse to pay freelancers less money, and so we'll have to get terribly, terribly creative." MORE COVERAGE: Forbes; Crain's; St. Petersburg Times; Chicago Public Radio.

Continue ReadingChicago Reader, Inc. President: ‘I Guess it Was Time’

Started as City Squeeze by Russ Smith and Alan Hirsch in 1977, the alt-weekly has "evolved from monthly to bi-weekly to weekly, switched back and forth between free distribution and paid distribution before finally settling on free distribution as it is today," according to a press release. A special 30th anniversary issue will hit the streets of Baltimore Aug. 1.

Continue ReadingBaltimore City Paper Celebrates 30 Years

Kim Dorn, Sara Dick, and Liz Eckstein tell Nest in a Q&A that the idea for City Paper's annual craft fair, which celebrates its fourth anniversary this year, originated in the heart of the classifieds section. "Through our free ads, we create a community marketplace where people can sell goods and services directly to each other. ... We had been tossing around the idea of hosting a big citywide yard sale," they say. "In the spring of 2004, the indie craft movement was just getting its legs and we decided it made more sense to do an arts-focused event. ... [Publisher Amy Austin] is a huge supporter of the arts and theatre and pretty much gave us free reign."

Continue ReadingWashington City Paper’s ‘Crafty Crew’ on the Origin of Crafty Bastards

Washington City Paper's Pete Morelewicz and his wife Christine Henry have decided to close their collection of squished pennies to the public after running it out of the front hallway of their home for 11 years, the Washington Post reports. "We started to get so many visitors that we were overwhelmed," Morelewicz says. "We didn't have enough time to accommodate everyone who wanted to visit us. And that was really tough for them as well as for us, because we wanted to make people happy."

Continue ReadingAlt-Weekly Art Director Closes His Squished Penny Museum

In the annual Society of Professional Journalists Utah Headliners Awards, reporter Ted McDonough took first in two categories: Best Newspaper Reporter and Government Reporting. Other first place finishes for the Weekly: Katherine Biele in Consumer Reporting; Bill Frost in Headline Writing; Ben Fulton in Personality Profile; and Shane Johnson in Criminal Justice Reporting. Winners were announced last Friday night.

Continue ReadingSalt Lake City Weekly Wins Six Utah Journalism Awards